This multimedia project aims to identify the oppositional gaze through analytic means by applying the theories of hooks, Mulvey and others to art and media and to emphasize the ways in which art and cinema has been a method for decolonization and resistance. This project defines cinema as a site for the creation of hegemony, but also for destruction of prevailing narratives and assumptions. As a further matter, I will expand the application of an 'oppositional gaze' to survey how it is usable for other contexts beyond cinema—anthropology, literature, data science, etc. As I do not present that there is a conclusive classification for ‘seeing’ the world, I do not “define” the oppositional gaze so much as I try to identify it in my analysis of media and other disciplines. There is no one monolithic culture or perspective, but there is a way of seeing the world from outside the way it is portrayed by institutions and superstructures.